When I started shooting video I had to use fluorescent banks & giant hot lights. But when I replaced everything with LEDs, I could light like a photographer again!
I wanted to share with you a little about how I got to where I am, in hopes that it may help you get to where you’re going a little faster.
Everyone has a light stand, even make up artists. Some photographers have boom arms but when you really want to refine your work, or make your life easier in the studio easier you’ll need an arsenal of hardware. And for the most part I am not talking about the durable goods you can pick up at Home Depot or Lowe’s.
As photographers we might obsess about this modifier or that one, believe me I have, but often times we fall short when it comes to shadow detail. This is something I struggle with from time to time when shooting in a new room and every shoot poses its own set of problems, so the purpose of this post is to share some basic concepts that I hope will help you maximize dynamic range and develop more details in your depictions.
Let’s pretend for a moment I am sitting inside a reality show confession booth. Instead of disparaging the other characters on the show, I’m going to disparage myself (not really, actually. In my garage I have a garbage can full of modifiers. It looks like an episode of Hoarders in miniature, only instead of holding on to teddy bears and half-full beer cans, I collect things that make hard light look soft and in turn, make me look good.