I wanted to share with you a little about how I got to where I am, in hopes that it may help you get to where you’re going a little faster.
Everyone has a light stand, even make up artists. Some photographers have boom arms but when you really want to refine your work, or make your life easier in the studio easier you’ll need an arsenal of hardware. And for the most part I am not talking about the durable goods you can pick up at Home Depot or Lowe’s.
Adapting the look of LED or Fluorescent tube backgrounds for still photography with a DIY approach using softboxes, a v-flat, a knife and three Profoto lights.
As photographers we might obsess about this modifier or that one, believe me I have, but often times we fall short when it comes to shadow detail. This is something I struggle with from time to time when shooting in a new room and every shoot poses its own set of problems, so the purpose of this post is to share some basic concepts that I hope will help you maximize dynamic range and develop more details in your depictions.
On a snowy winter day, we crammed 18 people into a Chicago barbershop built for a dozen, so we could shoot the foldout magazine cover of Positively Aware’s annual HIV Drug Guide. It is always a challenge when you have to work with 13 subjects and have them all engaged, while maintaining the identity of the space and leaving room for the magazine logo, text, and the fold.