You never know where you’re going to find the inspiration for your next photoshoot, so it’s always best to keep your eyes peeled and your mind open.
Over time, I have seen many images where a pattern is projected onto someone’s face, and I’ve always struggled to simulate this type of lighting. My attempts usually resulted in poorly defined shapes and not the sort of razor-sharp edges I was expecting.
Adapting the look of LED or Fluorescent tube backgrounds for still photography with a DIY approach using softboxes, a v-flat, a knife and three Profoto lights.
One of the most popular questions I am asked is: what are those lights in the background of my portraits? Aside from the one time that I used a Profoto Monolight unsuccessfully, every other occurrence I can recall featured a vintage light designed by Mole-Richardson.
After being inspired by Sophie Palmer’s portrait depicting boredom with a Catholic priest inside the confession booth, below, I decided to try my hand at projecting divine patterns on model Alex Mitchell’s face by making a custom Cucoloris.