NiceFoto SN-29 https://amzn.to/3aCtOM0
V-FLAT WORLD Foldable V-Flat, Set of 2, Black/White https://bit.ly/3fXqaid
Elinchrom ELC 500 Studio Monolight https://amzn.to/2PzMLGP
Elinchrom Indirect Litemotiv Octa Softbox (75″) https://amzn.to/2SQfSa5
Elinchrom Rotalux Stripbox 35x90cm https://amzn.to/2GPmVgQ
Mola Setti 28″ Softlight https://amzn.to/34UnPRv
All of these images were shot with a Canon 5DIV: https://www.amazon.com/gp/product/B076S553GQ/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B076S553GQ&linkCode=as2&tag=john0d1-20&linkId=4504fa49265a869454434d6cd2aeedd0
It’s very popular right now to create really soft Rembrandt lighting, with lower contrast and decreased saturation. These subtle tones look great in color, but if you convert them to black and white, you’ll have a muddy gray mess. Because when you’re shooting for monochrome, contrast is key.
There are a number of ways you can create contrast in the portrait studio, but I love to use multiple lights, sometimes with hard modifiers, and then I will refine the look with negative and positive fill. That way I can create a full range of tones and make my images pop.
So today I am going to show you three variants of the same basic set-up that will let you get a trio of distinctive looks, and then we’ll finish things off with a creative film noir setup.
Music: Evolution by Bensound http://bensound.com/
