Last week I spoke to the woman about headshots for her daughter and she had a lot of questions, questions in which the answers to, industry people may assume to be common knowledge, but this call reminded me how things are not as well known to many perspective clients, as one may think. So I wrote this post to answer all of those FAQs.
Recently, B Creative Bridal, part of B Creative Talent, asked me to shoot advertising photos for the launch of their website. Because I was tasked with shooting a web commercial, lifestyle stills and beauty headshots of three different couples and one wedding party on location in the span of ten hours, I asked my friend Jeff Haynes to come and lend a hand. He shot the headshots, while I worked on the behind-the-scenes video and the lifestyle photos. Thank god he was there, because there was no way one person could shoot everything.
I am always searching for new ways to light my subjects, and with every shoot, I seek to perfect my technique. Recently I started using a Westcott ’7 Parabolic Umbrella. After a few test shoots, I rolled out the umbrella for this headshot with teen female model Cosette Tomita. Using a giant softbox overhead to give Cosette’s hair a little kick and some overhead fill, I had the model strike several different poses, including this jumping shot below.
Female commercial model Keisha Clark does a photoshoot for her compcard.
For this shoot I tried something new. I decided to use one of my two new twin 1200-watt HMI movie lights as my main light and then I used two two-foot Kino Flo lights to strip either side of the subjects face. By using continuous lighting I was able to see the light in real time which was so much more fun than shooting with electronic flash and imagining what the light would look like when the strobes fired.