Welcome to our comprehensive male model posing guide, designed to help you achieve dynamic and confident poses. Whether you’re a seasoned model or just starting, this guide will equip you with essential techniques to stand out in the competitive modeling industry in Chicago.

Essential Posing Tips: Male Model Posing Guide

In this male model posing guide, we’ll cover everything from foot placement to creating interesting angles with your arms and legs. Additionally, we’ll provide insights from John Gress, a renowned Chicago photographer, and model Jason, who has over 20 years of experience in the industry.

1. Feet Positioning

One crucial aspect of posing is foot positioning. Keeping one heel off the ground can add interest to your pose. Avoid straight leg stances; instead, try crossing your legs or showing a gap between your knees. This technique is also effective for fake walking poses. For instance, notice how Jason’s posture in the image below demonstrates a confident stance with a slight lean forward, adding dynamism to the shot.

2. Leg Positioning

For men, a wider base stance is generally preferred. It conveys strength and stability. Avoid standing too close together or overly feminine poses. Keep your legs apart, and if necessary, adjust your waist to present a more flattering profile. For example, in the following image, Jason’s shoulder-width stance with relaxed shoulders and hands in his pockets conveys confidence and ease.

3. Arm and Hand Placement

When posing, avoid placing your hands deep into your pockets as it can pull the fabric awkwardly. Instead, rest your hands gently on the edge of your pockets. If you’re posing with a jacket, use it to create interesting hand positions, such as adjusting your watch or sleeve. In the next image, Jason demonstrates a dynamic pose by adjusting his blazer, adding a sense of movement.

4. Utilizing Props in Male Model Posing

Props like ladders can add an extra dimension to your photos. They provide different levels and angles, making the composition more dynamic. Ensure you’re comfortable and balanced when using props to avoid awkward poses. Notice in the image below how Jason uses a ladder to create a casual yet sturdy pose, with his foot on the ladder adding height and interest to the shot.

5. Sitting Poses for Male Models

Sitting poses can also be very effective. Use stools or chairs to create interesting angles with your body. Keep your posture upright and confident, and avoid slouching to maintain a strong presence in your photos. Jason’s relaxed yet confident pose in the image below showcases an approachable demeanor while seated.

6. Facial Expressions and Head Positioning

Your facial expression and head positioning play a significant role in conveying the desired mood. Keep your chin slightly up and engage with the camera. Avoid extreme angles that can distort your features. For instance, Jason’s serious expression and slightly hunched posture in the following image create a powerful and intense vibe.

Advanced Male Model Posing Techniques in Chicago

Once you’re comfortable with the basics, you can experiment with more advanced techniques. Play with asymmetry, create visual lines, and use your environment to enhance your poses. Always remember to engage with the camera and maintain a confident posture. For example, Jason’s casual pose leaning against a ladder creates a relaxed yet strong visual appeal.

Posing with Confidence

Confidence is key in any pose. Whether you’re standing, sitting, or using props, your confidence will shine through and elevate your photos.

Watch our Male Model Posing Guide

If you’re looking to refine your posing skills and gain more in-depth insights, John and Jason have created an excellent video male model posing guide. This comprehensive resource covers everything from basic to advanced posing techniques, providing valuable tips for both photographers and models. By watching this video, you can see real-time demonstrations of effective male model poses, learn how to create dynamic and confident images, and get practical advice from industry professionals.

Watch the video to elevate your modeling portfolio and master the art of posing with confidence and style!

Booking Your Male Model Photoshoot in Chicago

Are you ready to elevate your modeling portfolio? Book a session with John Gress to capture stunning male model poses that highlight your best features. Our packages cater to various needs and budgets:

• 1-Hour Session: $499 – Includes closeup, 3/4, and full-body shots, 2-4 background changes, 2-4 clothing changes, and 1 retouched image.
• 2-Hour Session: $749 – Includes closeup, 3/4, and full-body shots, 3-5 background changes, 3-5 clothing changes, and 3 retouched images.
• 3-Hour Session: $999 – Includes closeup, 3/4, and full-body shots, 4-7 background changes, 4-7 clothing changes, and 5 retouched images.
• 5-Hour Session: $2299 – Includes closeup, 3/4, and full-body shots, 6-9 background changes, 6-9 clothing changes, and 15 retouched images.

We also offer various upgrade options such as medium-resolution images for $149, high-resolution images for $249, additional retouched images for $99 each, and more. For a comprehensive list of our services and rates, please visit our website.

Client Testimonials

Don’t just take our word for it. Here’s what our clients have to say:

“John was highly professional throughout our shoot. He was prompt, prepared, and made photo session exciting! He truly cares about his job, and I would highly recommend.” – Amir C.

“John is very professional, personable, and patient during the shoots. I have utilized his photography service on three separate occasions, and I recommend anyone who is looking for a skilled photographer who is going to capture great moments within any setting. It’s not always about taking pictures with John; John also makes it a point to follow up with his clients to see how things have been going in their lives. This makes the experience more personable and comfortable.” – Cameron M.

“John is an incredible photographer! I never imagined my photos looking the way they look. Don’t think, just hire, you won’t regret it!” – Evan S.

Our Photoshoot Process

At John Gress Photography, we ensure a seamless and enjoyable photoshoot experience from start to finish. Our process includes:

• Initial Inquiry: Clients begin by visiting the John Gress Photography website to view rates and available packages. To book a session, clients can use the online booking system available at Actors, Models, Everyone or Business Headshots.
• Selecting a Session: Choose the desired session type (1-hour, 2-hour, 3-hour, or 5-hour session) based on your specific needs. Then, select a date and time for the photoshoot from the available slots on the booking calendar.
• Deposit and Confirmation: A non-refundable deposit is required to secure the booking. This deposit will be applied towards the total cost of the session. The remaining balance is due at the end of the photoshoot, but clients will receive an email a few days before the session offering the option to pay in full beforehand.
• Pre-Session Survey: After booking, clients receive a survey to detail their specific needs and session objectives. This ensures all requirements are clearly understood. If necessary, clients can book a Zoom session to discuss specifics before the shoot.
• Confirmation and Preparation: Clients receive a confirmation email with session details and preparation tips.

Photoshoot Process

• Arrival and Preparation: On the day of the photoshoot, clients arrive at the studio or designated location at their appointment time. If makeup and hair services have been arranged, they are completed prior to shooting and do not count towards the session time.
• The Photoshoot: The photographer guides the client through the photoshoot, providing direction on poses and expressions to best capture the desired looks. Different backgrounds and outfit changes are incorporated as planned, ensuring a variety of image styles are available for selection.
• Review: Within a few days of the photoshoot, clients may review watermarked proofs of the images that meet our standards in an online gallery to select their preferred images for retouching. This ensures clients are involved in the selection process and satisfied with the initial results.

Retouching Process

• Image Selection: Clients choose their preferred images from the session. The number of images selected depends on the purchased package, with additional images available for retouching at an extra cost.
• Professional Retouching: The chosen images undergo professional retouching, including adjustments to color, brightness, blemishes, and other enhancements to ensure the client looks their best. This process is carefully performed to maintain a natural appearance.
• Final Delivery: Retouched images without watermarks are delivered to the client in high-resolution via an online gallery. Clients typically receive these images within 2-5 days after making their selections. If a faster turnaround is needed, we can usually accommodate such requests.

For a detailed overview of our process, watch this video:

Follow Us for More Tips and Inspiration

Stay connected and get inspired by following us on social media. Check out our latest work, behind-the-scenes content, and tips for your next photoshoot.

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By following these posing tips and booking a session with John Gress, you can create a standout modeling portfolio. Get ready to showcase your best self with confidence and style!

The post Male Model Posing Guide in Chicago appeared first on Chicago Photographer & Director of Photography.

Professional hair photography is essential for showcasing the artistry and skill required to excel in prestigious beauty competitions like the North American Hairstyling Awards (NAHA). As a Chicago-based photographer with extensive experience working with top hairstylists and beauty professionals, I’ve been privileged to capture stunning images that have been nominated multiple times and I have worked with multiple NAHA winners.

Why Professional Hair Photography Matters

High-quality photography is crucial for capturing the intricate details and creativity of hair styling. For NAHA and other competitions, the photographs need to highlight the stylist’s talent while ensuring every detail is perfect. Professional hair photography can make or break a submission to these competitions, as the judges rely heavily on the visual representation of the work to make their decisions.

The NAHA Experience

The North American Hairstyling Awards (NAHA) is the premier competition in the beauty industry, celebrating top professionals across various categories. Winning or being nominated for a NAHA award can significantly enhance a hairstylist’s career, bringing prestige and recognition. The competition is fierce, and every detail matters, from the concept and execution of the hairstyle to the final photographic presentation.

Collaborating with Top Stylists

Working with talented stylists like Jamie DiGrazia of Logan Parlor, I have had the opportunity to capture extraordinary hair designs. Jamie’s expertise and creativity are evident in the stunning results of this photoshoot for her NAHA entry. These collaborations are a testament to the importance of teamwork in creating award-winning images. Each photoshoot involves a dedicated team of hairstylists, makeup artists, and stylists who work together to bring the creative vision to life.

Techniques for Capturing Perfect Hair Shots

One of the key skills in hair photography is the ability to freeze motion and capture every detail perfectly. This is especially important for styles that involve intricate details or movement. Using advanced lighting techniques, I ensure that each strand of hair is captured in perfect clarity, showcasing the stylist’s artistry.

Award-Winning Hair Photography

I have been nominated multiple times for NAHA awards and have had the privilege of working with five award-winning hairstylists and teams. My expertise in professional photography plays a crucial role in achieving recognition in the beauty industry. These accolades are a testament to my ability to capture the stylist’s vision and artistry, demonstrating how my high-quality images are essential for success in prestigious competitions.

Working with Wahl Clipper Corporation

One of the standout projects in my career was my collaboration with Wahl Clipper Corporation. Founded in 1919 by Leo J. Wahl, the company has been a leader in the hair grooming industry for over a century. Wahl revolutionized barber tools with the introduction of the electromagnetic motor, leading to the creation of the first practical electric hair clipper. Today, Wahl continues to innovate, offering top-quality products and services that set the global standard in the industry.

Wahl’s commitment to excellence extends beyond its products to include educational materials for professional barbers. These materials help barbers improve their skills and build better relationships with their customers, fostering loyalty and trust. For our project, Wahl partnered with me to create a series of images for their educational materials. This collaboration aimed to produce high-quality visuals that would enhance the brand’s training programs for professional barbers.

The Importance of Communication and Collaboration

One of the most critical aspects of a successful commercial photoshoot is clear communication between the client and the photographer. Understanding the client’s vision ensures that the final images align with the brand’s goals and aesthetic. This was particularly important for Wahl Clipper Corporation, as their educational materials needed to reflect their commitment to quality and innovation.

I took the time to understand Wahl’s specific needs and objectives. By engaging in detailed discussions and planning sessions, I ensured that every shot captured the essence of Wahl’s brand, showcasing the precision and professionalism that the company is known for.

Technical Skills and Equipment

The quality of commercial photography heavily depends on the equipment used. State-of-the-art cameras, lighting, and editing software can significantly enhance the final images, ensuring they meet the highest standards of professionalism and clarity. My investment in cutting-edge technology allows me to capture high-resolution images that showcase every detail of the haircuts and styles.

For Wahl, this attention to detail was crucial. The high-quality images provided barbers with clear, detailed visuals that were essential for learning and perfecting new techniques. The use of modern equipment ensured that every aspect of the haircuts was captured with precision, making the educational materials highly effective.

The Role of Post-Production in Commercial Photography

Post-production is a critical phase in commercial photography, where raw images are transformed into polished, professional photos. This process involves editing and retouching to enhance the overall composition, color balance, and detail of each image. My expertise in this area ensures that every photo meets the highest standards of quality.

For the Wahl project, I meticulously reviewed the images and performed precise editing to highlight the intricacies of each haircut. This attention to detail ensured that the final images were not only clear and professional but also visually engaging, making them ideal for educational purposes.

Booking Your Professional Hair Photography Session

If you’re a hairstylist looking to capture your work for a competition or to enhance your portfolio, professional photography is a must. I offer tailored sessions that meet the specific needs of hair photography, ensuring your work is presented in the best possible light.

Contact us to discuss your project and book your session. Together, we can create stunning images that showcase your talent and help you achieve recognition in the beauty industry.

FAQs

Q: Why is professional hair photography important for competitions?

A: High-quality photography captures the intricate details and creativity of hair styling, which is crucial for competitions like NAHA where judges rely heavily on the visual representation of the work.

Q: What should I prepare for a hair photography session?

A: Plan your styles in advance, collaborate with your photographer, ensure models are well-prepared and comfortable, and bring all necessary tools and products.

Q: How can I book a session?

A: Contact us through our contact page to discuss your project and book your session.

The post Professional Hair Photography for NAHA Competitions: Elevate Your Styling to Award-Winning Levels appeared first on Chicago Photographer & Director of Photography.

Elinchrom vs. Profoto

Elinchrom THREE One Light Kit
Amazon
B&H https://bhpho.to/46Sg90q

Elinchrom THREE Two Light Kit
Amazon
B&H https://bhpho.to/46BxRW2

Profoto B10X
Amazon https://amzn.to/45tFRHl
B&H https://bhpho.to/3PWUa1d

The Elinchrom THREE is a new portable off-camera flash unit that is around the size of a 70 to 200mm lens. It will produce 525 full power 261 watt second flashes on a single charge of the integrated lithium ion battery. It featured TTL and HSS as well.

And if you’re running low on power during a shoot, you can charge the light with any USB-C power source while you’re shooting. You don’t have to turn it off to charge it.

Will get into all the specs, including the 1.2 second recycle time as I compare the light to its closest competitor the Profoto B10X and I will share with you the results of several tests I conducted over the past few weeks with the THREE and a Profoto B10. These tests were the most extensive tests I have ever conducted on any lights over the course of my career. Plus I’ll also show you the results I got from two photo shoots. And if you stick around til the end, I’ll share with you what I learned while making this video and how I am going to change the way I shoot going forward. This will be great information for everyone, regardless of wether or not you’re planning on purchasing a new light.

To give you a little bit of background. I switched over from Profoto to Elinchrom in 2019 mostly because I loved their modifiers and over the past few years Elinchrom has hired me on occasion to speak in a trade show booths and make content for their YouTube channel. They also gave me the Elinchrom THREE, but they did not pay me to make this video and in fact, they gave me the light without me promising to make any content whatsoever. They also did not have any editorial control over this video.

So as always, I am here to share with you what I have learned and if you’d like to help support me to make more videos like this, please click on the links above.

Specifications

The compact Elinchom THREE will fit in any modifier made for the Profoto system and it comes with a nice adapter that will allow you to use it with any of the standard Elinchrom modifiers. It uses the Elinchrom radio system, however you could trigger it with Profoto lights by turning on the photocell.

The Elinchom THREE also comes with a knob AND a lever to secure the tilt mechanism.

It’s predecessor the Elinchom ONE came with a rubber adapter and only had a knob on the tilt mechanism. Unfortunately, I had difficulty keeping large modifiers in place with that light.

Lineup

The Elinchrom THREE is exactly half the power of the Elinchrom FIVE and twice the power of the Elinchrom ONE. The ONE was just strong enough to shoot outdoors with high speed sync in small modifiers, so having one more stop of power will make this light more attractive for many users. If you plan on using a large softbox outdoors, or a beauty dish, the Elinchrom FIVE would be a better choice given the fact that it has twice the power and an umbrella hole inside of the octa ring to accommodate the deflector discs for Elinchrom Beauty Dishes.

Recycle time

The Elinchrom THREE can recycle in 1.2 seconds at full power, which is slightly faster than a Profoto B10X which recycles in 1.3 seconds. I conducted a test with the Elinchrom THREE at full power, and confirmed that the recycle time is exactly 1.2 seconds.

Batteries

As I mentioned earlier the Elinchrom THREE internal battery is capable of 525 full power flashes and you can charge it with the Included charger in only one hour and 40 minutes. Plus, you can charge it in general with any USB-C power source and that includes your ability to do so while you’re shooting. The come in really helpful as Ive used power banks and my MacBook charger to keep Elinchrom lights charged up on set.

On the other hand, the Profoto B10x battery is capable of 400 flashes and you have to use the proprietary charger.

Modeling lamp

The Elinchrom THREE appears to share the same 20-watt bi-color modeling lamp as the Elinchrom one which produces 3000 lumens of light which is quite comparable to the 24 watt 3200 lumen modeling lamp in the B10 X

The Twilight Zone

The Elinchrom three can be powered down 5.2 stops where as the Profoto B10X can be powered down 10 stops. However the only time I have wished I could go lower with Elinchom lights was when I was shooting during twilight and during those instances I have just used the modeling lamps.

Flash duration

Alright, let’s get to the more important nerdy stuff. Flash duration is one of the most underrated, important statistics that you can look at when selecting a new light. The flash duration tells you how you can freeze movement in your shot whether that’s an athlete, water droplets, or just a model posing.

Most of the time when you are using flash indoors, the only light contributing to your shots is the light from your strobes. This is because that light is typically a lot brighter than the ambient light. When that happens, your shutter speed isn’t what freezes movement, its the brief burst of light from your flashes. The time it takes to discharge that light is known as the flash duration, which is expressed as a fraction of a second. The flash duration speeds are basically going to freeze movement just like a shutter speed would.

If you’ve ever shot a series of images and found that you had a lot of ghosting going on, it was likely because you were using flash too close to the ambient light level and or or your flash had a very long flash duration.

In previous test, which I will link to, I found that if you want to stop the movement of a dancer flying through the air, then you need to overpower the light by three stops or more and you need a light with a flash duration of 1/3000 of a second or shorter.

Using High speed sync would is great when mixing flash and natural light, but using your camera’s standard sync speed indoors will allow you to power down your strobes, get more depth of field and shoot at lower ISOs,.

Many manufacturers including Elinchrom, but not Profoto, show the flash duration on the lights’ LCD. For Profoto and other manufacturers you will need to look up this information in your manual. In general the brighter the light is, the longer it’s going to take for the flash to discharge and some lights discharge faster than others. So if your image is blurry, turn down the flash power and see if that makes a difference.

My Sekonic L858 light meter can measure flash duration and so one of the tests I conducted was to check the flash duration for the Elinchrom THREE and my friends Profoto B10 at several different settings. Profoto states in their manuals that the flash duration for the 250 watt-second B10 and the B10X units are exactly the same. In addition, I didn’t see any claims that the B10x had different color output than the B10, but it is possible. We will be checking white balance in our next test. When Profoto released the B10 with the B10X they marketed it as having faster recycle time and a brighter modeling lamp.

Both manufactures have a mode were they prioritize speed over color accuracy. Profoto uses the terms Freeze and normal and Elinchrom uses the terms action and standard. Here is how they compare in each mode. As you can see, the flash duration, for the Profoto B10 is a little shorter in general at the same power settings. So when shooting dancers you’ll need to power down the THREE about 1/3 of a stop lower than the B10x to hit 1/3000 of a second.

Using action or freeze mode does come with consequences. Both manufacturers’ lights go from having very stable white balance in normal or standard modes to having a more variable white balance in Freeze and action modes. I conducted this test by placing a color checker in a cove I created with black foam boards to eliminate reflected light. I photographed the checker and set a white balance on the 18% gray square in capture one and then recorded the white balance numbers. This is not as sophisticated of a test as using a Sekonic color meter, however it did give me very consistent results.

One caveat, .1 on the Elinchrom system is the lowest power setting and its actually equal to 4.8 on the Profoto scale.

You’ll notice that the Elinchrom and Profoto lights both have very similar results closer to full power, but when you go to lower power values on the lights, the light becomes very blue and shifts towards green. The Profoto light is technically more consistent again across the power range, however, I have found previously that when you are using multiple lights and modifiers, a 500 kelvin shift from light to light within a picture is not noticeable. I have used Elinchrom lights for the past FIVE years and I’ve only noticed a color shift in my images a few times and mostly that was when I was using a light at very low power while in action mode. In Fact, I would avoid going below power setting 0.9 while in action mode. The Profoto light also shifted considerably when I went from power setting 5 to 4 in Freeze mode.

For general studio photography you can use normal or standard mode. As you can see here on the chart, the white balance is extremely stable for both lights, but the Elinchrom flash duration numbers are lower. To make sure that these numbers weren’t too low, I conducted a test with my model friend Jason. I used the THREE at full power in Standard mode, which resulted in a flash duration of 1/489th of a second and I only had 7 blurry images, which is equal to 2%. So it’s not a big deal.

Brightness tests

You may have noticed that these two lights have a very different design. Current Profoto monolights have a flat front and the Elinchrom lights have a glass dome on the front and the flash tubes protrude slightly outsi de of the body. When I used Profoto lights, I tested their standard D1 head, a D1 with an accessory dome and an Acute head in a Profoto silver beauty dish. I found that the light from the flat faced model produced less contrast than the light from the Acute head, which has the flash tube sitting outside of the body. The D1 with the dome fell in the middle. I then conducted similar tests with other modifiers and concluded that you needed a light with the flash tube outside of the body to properly fill a beauty dish and large modifiers.

So when I started looking into Elinchrom, their exposed flash tube design made switching very attractive.

Light emanates from the heads differently based on the design. With the THREE, the light comes out in a beam angle of 160°, where as the Profoto B10X produces an approximately 70° beam. In order to test the brightness of these lights against each other I set up my light meter 4 feet or 1.2 m from the lights . I did not use the optional frosted dome on the THREE during these tests. When I tested them bare bulb the B10 was about 1.2 stops brighter. I would expect the Profoto light to be brighter because it’s volume of light is directed forward, whereas the Elinchrom light is directed in more of a hemisphere. Next I tested them in different modifiers that would capture the entire beam spread and push it forward, so first I tested them in an Elinchrom 105 cm umbrella and I placed the light in the umbrella so that the flash tube was even with the rim of the modifier. Both lights in this test meter that F 11 5/10.

Then I placed the lights in the totally agnostic Photek softlighter umbrella with a diffusion cover. The Elinchrom light metered at F8 5/10 and the Profoto light metered at F 8 1/10.

I also placed the lights in a Mola Rayo, a 15 inch hard reflector, and the THREE metered at f22 4/10 and the B10 metered at f22 1/10

Finally, I placed both lights in the Elinchrom 100 cm or 39 inch deep octa box and they both metered at F 8 3/10.

So I would say that these lights are pretty much the same when it comes to brightness.

I also tested the lights during this shoot with DJ by placing them both in the Photek softlighter, and as you can see in the results, they are extremely similar and I don’t see any increased gradient from the top to the bottom in The Profoto image when compared to the Elinchrom image. So the head design difference may only be important in particular modifiers.

I would have tested them both in a beauty dish, but unfortunately, I no longer have one that I can use with both lights.

I also tested the lights by taking several photos at the same power settings and then analyzed those shots to see if there were any shifts in color or luminance from shot to shot, and I found that both lights were nearly perfect. Here is a sample of some of the test series I took with each light at the same power setting. As you can see, every frame is substantially identical.

Conclusions

Looking at everything that we’ve talked about today, you can see that sometimes Profoto is winning and sometimes the Elinchrom is winning. At the end of the day. The Elinchrom light is going to have a street price that is about 1/2 that of the Profoto light. So for many users, the choice between the two is going to be obvious. Please let us know which light you think won in the comments.

However, when you buy a light, you are buying into an eco system. The main reason why I switched over to Elinchrom, is because I loved their modifiers, including their Lightmotiv, indirect octabox.One of the other determining factors was the fact that the Sekonic L-478 and 858 light meters are able to communicate directly with the Elinchrom lights and can fire, measure and adjust them right from the light meter. Which makes life on set a lot easier.

The Elinchrom system also has great mobile and desktop app. Both of which are free. You are able to connect to as many as 20 different lights at a time and adjust most of the settings for those lights directly in the application, and then save a configuration file for that set up which you can then load later. So if you’re doing the same shots over and over again in your studio, you can set up scene files for each of your set ups to speed up your work flow. In a previous video, I used the mobile app in order to program seven different lighting set ups on the same set with multiple lights witch I executed in 10 minutes while photographing NFL players. You can check out that video up here as well.

My key takeaway from all of these tests, is that I will be using the standard mode from now on with all of my lights, unless I know there is movement in the shots that I need to freeze, like a model walking through a scene or an athlete flying through the frame. If action mode is warranted, then I will stay above Elinchrom power setting 1.0 when using multiple light sources and I will look out for color shifts as I shoot and adjust my power settings to get more homogeneous results. If you’re shooting with the Profoto B10, remember that big shift happens in freeze mode between power setting 4 and 5. Most brands have a color and flash duration mode, so you might be better off following the same strategy too.

If you would be interested in a video with White Balance and flash duration tests for all of my Elinchrom lights and modifiers, please let me know in the comments. With the help of some friends, I could extended that to Profoto as well.

The Elinchrom THREE will be a great choice for many photographers as 261 watt seconds is more than enough power for most applications.

Please let me know if you have any questions or comments below. If you could, please click on those links in the description, like and subscribe and sign up for the bell, that would be appreciated.Thanks again have a great day and I will talk to you soon.

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