Why I don’t like to be on camera. Plus three great interview lighting setups for video using Nanlites
Three ways to light an interview and finding the best lighting for your subjects face.
Review: The Canon EOS RF 35mm f1.8 Macro v. the Canon EF 35mm f1.4L II USM for R5 Mirrorless Camera
You are unauthorized to view this page. Please login or visit the Academy home page for more information. Monthly memberships start at only $16, plus there is a 3-day free trial! Username or E-mail Password Remember Me Forgot Password
Are grids worth the money? When and why should you use them in the the studio and on location?
Watch as I unbox my new Billingham 445 (https://amzn.to/32igLwq) camera bag and move out of my old Think Tank Photo Retrospective 30 2.0 (https://amzn.to/2QrsweN) messenger bag.
Lighting Ratios: Why the power of your light is irrelevent
People always want to ask what power my lights were set at when I took the picture and I also see that people like me reporting this information on their BTS diagrams. Here is why!
Full Review of the Canon EOS R5 for Commercial and Portrait Photographers switching from the 5DIV
After using the R5 for a full month as a professional commercial studio and portrait photographer, who shoots some video, I have decided to fully switch from the 5D Mark IV. It took me a while to test everything from auto focus, to tethering to video (including overheating) and how to get the best color out of the new RAW files. This video also covers post production in DPP (Digital Photo Professional), Lightroom and Capture One 20. Please see a full summary of the time line below.