Over time, I have seen many images where a pattern is projected onto someone’s face, and I’ve always struggled to simulate this type of lighting. My attempts usually resulted in poorly defined shapes and not the sort of razor-sharp edges I was expecting.
Over the course of my career I have used White Lightning, Elinchrom, Alien Bees and Profoto lights. I wanted to share with you today why I switched and what I learned along the way.
On a snowy winter day, we crammed 18 people into a Chicago barbershop built for a dozen, so we could shoot the foldout magazine cover of Positively Aware’s annual HIV Drug Guide. It is always a challenge when you have to work with 13 subjects and have them all engaged, while maintaining the identity of the space and leaving room for the magazine logo, text, and the fold.
Thanks to a referral from graphic designer Dan Paterno, to account executive John Healy, the Above and Beyond Family Recovery Center hired me to photograph their clients for their annual report.
This was by third photoshoot with Black Ink Crew Chicago star Katrina Jackson. Stylist and art director Stephanie Alexis wanted to create a sexy wet look which I married with a behind-the-scenes looking images shot on a Gravity Backdrop and paired with a Mole-Richardson 1000 Watt Baby Fresnel on location at Lacuna Artist Lofts.