Before the repatriation of my friend Vic Picolotto to his native Australia, to work for hairdressing giant Tracey Hughes Education, we decided to get in a few headshot shoots while we still could!
I decided to use a variety of hard light sources to sculpt the light for these portraits. However most of the hair is light from above and behind with a softbox.
Last month I worked with hair stylist Vic Picolotto to shoot a series of images featuring hair designs to be showcased at the America’s Beauty Show for hairdressing giant Tracey Hughes Education. Their clothing was designed by Australian Project Runway winner Anthony Capon.
I read on another photo blog a few months ago that you could cut random lines into a piece of cardboard and use it to cast unplanned shadows on a wall by shining light through it. I unwittingly put my own spin on it when I decided to try cutting narrow slits into a piece of cinefoil (black foil) with a box cutter.
Last week I spoke to the woman about headshots for her daughter and she had a lot of questions, questions in which the answers to, industry people may assume to be common knowledge, but this call reminded me how things are not as well known to many perspective clients, as one may think. So I wrote this post to answer all of those FAQs.
I love it when I do headshot shoots and members of the crew have great ideas that they want to try out. Make-up artist Mitch C came up with this make-up concept look and stylist Siena R chose to use this fashionable vest for the look, which she was raving about before the shoot.