Adapting the look of LED or Fluorescent tube backgrounds for still photography with a DIY approach using softboxes, a v-flat, a knife and three Profoto lights.
As photographers we might obsess about this modifier or that one, believe me I have, but often times we fall short when it comes to shadow detail. This is something I struggle with from time to time when shooting in a new room and every shoot poses its own set of problems, so the purpose of this post is to share some basic concepts that I hope will help you maximize dynamic range and develop more details in your depictions.
Let’s pretend for a moment I am sitting inside a reality show confession booth. Instead of disparaging the other characters on the show, I’m going to disparage myself (not really, actually. In my garage I have a garbage can full of modifiers. It looks like an episode of Hoarders in miniature, only instead of holding on to teddy bears and half-full beer cans, I collect things that make hard light look soft and in turn, make me look good.