I didn’t get to where I am without help; that’s why I want to pass along my knowledge to others. This workshop series is for anyone who wants to take their lighting to the next level. I love to explore lighting, and to experiment with new techniques and ideas to refine my craft and to create better images every time I pick up a camera. But I also love empowering photographers to build their self-confidence and their skills.
During our intensive hands-on workshop we will start off with one light in the morning and work our way up to four or five lights in the afternoon, while recreating some of my best images and improving new set-ups. We’ll practice with a professional model(s), problem solve, talk about modifiers, ratios, and post production. But most importantly, I want everyone to leave understanding why they would use each light, what happens to your look when you adjust the power of each light. At the and of the day we will go over what I do to achieve my look and style in Capture One. I also understand Lightroom so I can help with that too.
Up to 8 people may sign-up and they may chose to attend on the first day only, and for an additional fee, they may add a second day, which will feature a full day hands-on experience and an anonymous critique of everyone’s work. We will start off with me helping each attendee to create their vision and then in the afternoon, the class will work together as a group to recreate inspiration images with me assisting as needed. However, the workshops that take place in my Chicago studio will be an intimate two day experience with only three attendees.
Please bring your camera and be ready to shoot, as we’ll be taking turns and creating new content for our portfolios and feeds. If possible please bring a laptop or tablet for editing. When we’re all done, we can go to dinner, recap what you’ve learned, and talk about how to put these new skills to work!
IMAGE USAGE: All images taken can be used in your portfolio (online and social platforms), but please hashtag #johngressworkshops. The models have rights too, so you can’t use the images commercially, to advertise photo shoots, or promote anything that is a professional service or product. Basically, you would need a model release to do that and you won’t have one.
CANCELLATION: Free cancellation more than 7 days before the workshop. Otherwise all sales are final.
DEPOSITS: A 50% deposit or full payment is due to secure a spot. The balance is due two weeks before workshop date.
RETOUCHING: The retouching section of the workshop takes place at the end of the first day and will feature Capture One as I have switched programs.
REQUIRED: You are required to have fun, ask questions, learn, and make new friends!
PPA Magazine called Gress “one of the nation’s foremost experts on lighting.”
Details subject to change.
Details subject to change.
This fun and exciting hands-on two-day workshop is geared towards semi-pros and working professionals who are looking for in-depth knowledge and information. But, it is open to anyone who knows how to use their camera and has some experience with lighting. Evanston, Illinois This workshop is limited to only 3 participants and take place in my studio. $2199 Sign-up Now!
Attending John’s workshop in Chicago was simply perfect. Not only did John discuss different lighting and modifiers, he tested them on us to show us the difference in the light produced by each one, and discussed why they produced the different types of light. John made sure we had the opportunity to watch him set up the different lighting diagrams with a live model, then had us help him, and afterward were asked to create several for ourselves we’d like to try. The ‘watch, help, you do it hands on approach’ was not only effective and extremely beneficial in the learning process, but helpful in understanding why to set things up in a certain way. While lighting can be intimidating for some photographers, John helped us feel comfortable if we made mistakes, correct them while showing why and how, and done in a positive fun environment. This was all done while allowing room for creativity with the model and individual expression as a photographer. The two day workshop was full of information but not so overwhelming as to not be able to decipher through it. To top it all off at the end of day two, John showed us some valuable editing techniques that are easy and save lots of time. Whether choosing the one day workshop or the two day event you will walk away with information and experience to raise your level of knowledge and creativity in portrait lighting. Thank you John for investing time and energy in all of us to help us grow as photographers.
I took your class in Detroit earlier this year. Your workshop put my work on another level it me a couple of weeks to incorporate what I learned into a workflow that works for me. Thank so much for sharing your knowledge.
If you have not taken a John Gress workshop, you should. The workshop surpassed my expectations. John was very open, and readily answered questions about equipment, lights, lens selection, make-up, you name it. Every component of the session was hands on with the model, from styling to lighting to posing. On the first day, John went over various lighting set-ups. The set-ups were varied, and had something for each type of photographer. What a pleasant surprise when he did lighting typically used in maternity images. Also, he engaged participants by requesting suggested improvements to lighting set-ups. Like I mentioned, it was impossible not to be involved in the workshop. On the second day, participants provided images to replicate. This exercise turned out to be a fantastic learning experience as we got to watch how John ‘problem solved’ the image. I cannot say enough good things about John’s workshop. Well worth the experience.
As a photographer I’m always trying to improve my lighting techniques. I’ve watched countless YouTube videos and I have tried many photography educational platforms, but none has been as comprehensive as John Gress’s Lighting Workshop .
His workshops provides photographers with hands on and ongoing access to him as a mentor, while he instructs and guides you with lighting techniques to take your lighting skills to the next level.
He uses an instructional approach where he has the attendees deconstruct and recreate the scene using the techniques learned in the workshop,
I learned various different lighting techniques, that I have been putting into practice in my photography. I would encourage every photographer who is interested in a game changer with their photography skills to attend a John Gress Lighting Workshop. Simply put, this was one of the best investments I’ve made in my photography work, after John Gress Lighting Workshop, lighting can never be viewed the same again.
As a photographer, I’ve paid attention to light for years and learned, little by little, how to use it to take better pictures. But being able to recognize good light is a far cry from being able to create it, which is something I struggle with. Last weekend I got to spend a couple days learning from a photographer who has a true talent for making light do what he wants.
The experience was—sorry, I can’t help it—illuminating.
Instead of the sun, we worked with beauty dishes and octaboxes, hair lights and strip lights, v-flats and flags. It was a two-day workshop and we ran through at least a dozen lighting setups, working with different models on each day. On the second day the photographer, John Gress, asked each of us three students to envision and then execute a portrait of our own. This was mine.
My goal was to make a headshot of our model, using the light to accentuate his strong, angular jawline. With a little guidance, I created a four-light setup that produced—to my surprise—almost exactly the image I had in mind. For any lighting enthusiasts, we used three-foot strip lights behind the model on either side to create the edge light along his jaw and a third strip light directly above the camera as the main portrait light, which created a thin vertical band of light down the center of his face. We used a white card to lighten the shadows beneath his chin and a hairlight to create some separation from the dark background.
For anyone looking to improve their portrait lighting skills, I give a thumbs up to John Gress’ workshop. Thanks!