Everyone has a light stand, even make up artists. Some photographers have boom arms but when you really want to refine your work, or make your life easier in the studio easier you’ll need an arsenal of hardware. And for the most part I am not talking about the durable goods you can pick up at Home Depot or Lowe’s.
Adapting the look of LED or Fluorescent tube backgrounds for still photography with a DIY approach using softboxes, a v-flat, a knife and three Profoto lights.
Let’s pretend for a moment I am sitting inside a reality show confession booth. Instead of disparaging the other characters on the show, I’m going to disparage myself (not really, actually. In my garage I have a garbage can full of modifiers. It looks like an episode of Hoarders in miniature, only instead of holding on to teddy bears and half-full beer cans, I collect things that make hard light look soft and in turn, make me look good.
If you were expecting a side-by-side head-to-head comparison of these modifiers, this review is not for you. Over the course of 10 or so years I have owned 6 different octaboxes made by Profoto, Elinchrom and Photoflex. I will discuss below why I changed horses midstream to arrive at where I am today and how I felt about using each modifier.
My colleague Jeff Haynes asked me to be the Lighting Director for the new Joliet Slammers professional baseball teamsÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢ first television commercial. Not only is the commercial about to debut, so will the Slammers on their first opening day May 19th, 2011.