One of the most popular questions I am asked is: what are those lights in the background of my portraits? Aside from the one time that I used a Profoto Monolight unsuccessfully, every other occurrence I can recall featured a vintage light designed by Mole-Richardson.
After being inspired by Sophie Palmer’s portrait depicting boredom with a Catholic priest inside the confession booth, below, I decided to try my hand at projecting divine patterns on model Alex Mitchell’s face by making a custom Cucoloris.
Thanks to a referral from graphic designer Dan Paterno, to account executive John Healy, the Above and Beyond Family Recovery Center hired me to photograph their clients for their annual report.
Trade magazine photography for Brickstreet Insights featuring nonprofit CEO Mark Ishaug of Thresholds.
This was by third photoshoot with Black Ink Crew Chicago star Katrina Jackson. Stylist and art director Stephanie Alexis wanted to create a sexy wet look which I married with a behind-the-scenes looking images shot on a Gravity Backdrop and paired with a Mole-Richardson 1000 Watt Baby Fresnel on location at Lacuna Artist Lofts.