This workshop is for semi professional and professional photographers who want to take their lighting to the next level.
I love to explore lighting, and to experiment with new techniques and ideas to refine my craft and to create better images every time I pick up a camera.
“The only thing I love more than lighting, is helping photographers on their journey.”
During our 8 hour workshop, we’ll start with one light and work our way up to 4 or five. We’ll practice on each other, talk about modifiers, ratios, and post production, but more importantly, I want everyone to leave understanding why they would use each one, what happens to your look when you adjust the power and what I do to achieve my style. I have limited these workshops to only three students, because I want to make sure that everyone gets a chance to learn the concepts and put them to use.
When were all done, we can go to dinner, recap what you’ve learned and talk about how to put these new skills to work!
- 9:00am – 9:30am Meet & Greet
- 9:30am – 11:00am One & Two Lights Demonstration and Practice
- 11:10am – 12:30pm Three Lights Demonstration and Practice
- 12:30pm – 1:30pm Lunch
- 1:30pm – 4:00pm Four – Five Lights Demonstration and Practice
- 4:00pm – 4:10pm Break
- 4:10pm – 5:00pm Retouching / Post Processing Demonstration
- 5:00pm – 6:00pm Hands on Retouching
- 6:00pm – 8:00pm Dinner
Chicago Area Workshops: $599
Friday, October 26, 2018
Sunday, November 18, 2018
Participants also receive my five favorite Lightroom presets!
Imaging USA: Portrait Lighting Concepts To Step-Up Your Game
Session Time: Jan 19th 9:00 am – 11:00 am
Location: A314, Building A, Level 3
Track(s): Hands On, Portrait
As one of John Gress’ earliest mentors explained: “Light goes until it hits something. What else do you need to know?” Now, after 20 years of experimentation, he has discovered a few tricks of his own, and is ready to share them with you! This hands-on workshop will cover how to use multiple modifiers to create and build on the subtleties of window light, while maximizing dynamic range, building contrast and creating drama.
All sales are final and non-refundable. Dinner is an optional activity and is not included in the price of tuition.
Adapting the look of LED or Fluorescent tube backgrounds for still photography with a DIY approach using softboxes, a v-flat, a knife and three Profoto lights.
As photographers we might obsess about this modifier or that one, believe me I have, but often times we fall short when it comes to shadow detail. This is something I struggle with from time to time when shooting in a new room and every shoot poses its own set of problems, so the purpose of this post is to share some basic concepts that I hope will help you maximize dynamic range and develop more details in your depictions.
Let’s pretend for a moment I am sitting inside a reality show confession booth. Instead of disparaging the other characters on the show, I’m going to disparage myself (not really, actually. In my garage I have a garbage can full of modifiers. It looks like an episode of Hoarders in miniature, only instead of holding on to teddy bears and half-full beer cans, I collect things that make hard light look soft and in turn, make me look good.
One of the most popular questions I am asked is: what are those lights in the background of my portraits? Aside from the one time that I used a Profoto Monolight unsuccessfully, every other occurrence I can recall featured a vintage light designed by Mole-Richardson.
After picking myself up off the floor following my discovery of the sticker price for Canon’s C200 batteries, I decided to look at other options. I have seen people using V-Mount and Anton Bauer Gold Mount batteries for while, but they remained a mystery to me until push came to shove once my new camera was on its way.
I recently purchased the new Canon C200 and decided to shoot some test footage to compare it with the Canon C100.
The first time I showed my old assistant my Profoto D1 Air 500 Monolights he remarked how sexy they were…. that’s all he kept saying… “these lights are so f&*king sexy!” I can only imagine his sophomoric reaction if he got his hands on the more attractive Broncolor Siros, which comes in multiple flavors from the battery powered 400ws and 800ws Siros L to the 400ws and 800ws Siros S.
If you were expecting a side-by-side head-to-head comparison of these modifiers, this review is not for you. Over the course of 10 or so years I have owned 6 different octaboxes made by Profoto, Elinchrom and Photoflex. I will discuss below why I changed horses midstream to arrive at where I am today and how I felt about using each modifier.
Deposit / Remainder
To leave a deposit or pay the balance due, for any workshop please click below. The total is due 30 days before the workshop.